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No More, No Less + bonus CD
Blue Ash
  

Long considered a "classic" of the Power Pop genre, this finally sees its CD debut!  When England's esteemed 'Guardian' newspaper assembled their list of 1000 Albums to Hear Before You Die, this 1973 debut album from Blue Ash made the grade amongst all the established classics - pretty remarkable for an obscure record that was out-of-print for over 30 years!  Signed to Mercury by legendary rock critic/publicist Paul Nelson, this four-piece from Youngstown, OH was among the first power pop bands alongside Badfinger, Big Star and Raspberries to revive the virtues of mid-’Sixties rock against the then prevailing tides of prog excess and singer-songwriter self-absorption.  High praise was showered on the band from day one!  "I always felt the song 'I Remember A Time' could do for this group what 'Mr. Tambourine Man' did for the Byrds: the start of a brilliant career, a Number One hit, instant mythology. The guitar intro lasts all of five seconds before Jimmy Kendzor and Frank Secich's voices come in, oozing of everything groups like the Byrds and Lovin' Spoonful ever promised, the soaring harmonies in the chorus driving over jangling lead guitar work. It's the sound of tomorrow right here today, it's the perfect folk-rock single.  It's beautiful, that's what." - RocksBackPages.com  "One of the most spirited, powerful debuts ever from an American group.   It opens with 'Have You Seen Her,' a fast rocker kicked off by four whomps on David Evans' snare, one that makes me think of The Who; the lead guitar is pure West Coast, though.  'Just Another Game' is the one quiet song, an effective tonedown before 'I Remember A Time.' 'Plain To See' is similar to 'I Remember A Time' in the way its simple, compelling melody rocks out with vocal harmonies framed over a trebly Byrds guitar sound.  'Here We Go Again' follows, midway between the hardest and softest numbers on the first side.  What's great here are the group vocals on top of the tuff folk-rock cum hard rock instrumental sound; it's like killing two birds with one stone, the whole premise behind the old and new Mod groups (Small Faces, early Who, the Sweet), not to mention the hard pop masterpiece known to the world as 'Do Ya.' By the time this album ends, there's no doubt about it, Blue Ash have got themselves one hell of a debut LP that may send fellow stateside groups like Stories, the Raspberries, and Big Star running back to the woodshed to come up with music even better than their present stuff." - LostInTheGrooves.com.  "It was, in hindsight, unlike virtually everything else around. Teen-oriented three-minute pop songs, four part harmonies very similar to the Byrds, and a tough guitar/bass/drums sound modeled on The Who. A fantastic lead guitarist in the form of Bill "Cupid" Bartolin, a fine Keith Moon-style drummer in Dave Evans, a melodic McCartney/Ronnie Lane-style bassist in Frank Secich, and lead singer Jim Kendzor, capable of singing a razor line every time.  As a live band, they were legendary (as you'll see by the bonus disc we're offering).  Released at the height of prog rock -- the same time as 'Quadrophenia' and 'Goat's Head Soup', and just before the New York Dolls' debut on Mercury -- 'NMNL' got lost in the shuffle." - PowerPopCriminals.   COMES WITH AN EXCLUSIVE BONUS CD FEATURING 15 SONGS RECORDED LIVE IN 1974!  Recorded live on January 31, 1974 at the Packard Music Hall in Warren, Ohio!   The band were opening for the Raspberries at this show - and, as you'll hear, they definitely had their "game face" on as they rock through these covers and originals:   "Hippy Hippy Shake", "One After 909", "Do You Love Me", "Anytime At All", "Start All Over Again", "Plain To See", "What Can I Do For You", "She's So Nice", "Baby Baby Come On", "All I Want", "Twist and Shout", "Have You Seen Her", "Let There Be Rock", "Rock On Rock and Roller", and "My Generation"!   It must be noted that this is an audience recording (the only type that exists according to the band) that, while not of the highest audio quality, captures the band at a magical moment in their career, and serves as an archival testament to the power they exhibited as a live band!  You'll be glad you snagged this little piece o' history!   GREAT!!!!!


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The Miserable Rich - "Twelve Ways To Count + bonus disc"
On their stunning debut, The Miserable Rich are sweetly, but not too cloyingly, twee.  "With gentle vocals over chamber strings, they brandish an innocent style of country-tinged chamber folk better suited to the balmy evenings of summer than the long, cold nights of winter but this impressive debut should warm your heart nonetheless.  The gentle strums of tracks such as 'The Knife Thrower's Hand' recall delicate sea shanties and carny tales that could rub shoulders with The Decemberists in the right kind of festival marquee.  The result is that this record draws you in slowly, overcoming first impressions that it lacks strength or depth to give you a gentle smile from the corner of the room that you just can't ignore. 'Monkey' manages to sound both Americana-tinged and resolutely English, a half-forgotten village green fete with tea and cakes not too far away." - Jenni Cole  "Chamber pop folk that has dismissed the beardy woollen jersey cliché to instead don a fine layer of cashmere before entering a dusky world full of tales of boatmen, matinees, teenage crushes and waiting for pay day.  Both deft and enchanting with their ability to embrace the pastoral flavours of trad folk and some winningly playful pop hooks, this has tear-jerkers and caustic wit in equally charismatic measure.  It's James De Malplaquet's voice, a clarion call that sounds uncannily similar to early 70's troubadour Colin Blunstone, that really endears." - BBC.co.uk  "Recorded in the front room of De Malplaquet’s Brighton home, their striking, fully fledged debut immediately sets them apart. Five in number, they play acoustic chamber pop, everything coming decorously draped with the rather mournful accompaniment of cello and violin. Beyond that, though, it’s De Malplaquet’s warm, hazy voice coupled with the songs’ ruminative aspect that impress most, from tales of drunks and bonnie barmaids to such beautifully tender moments as 'Boat Song' and 'The Knife Thrower’s Hand'. A handsome, original start!" - Q Magazine   COMNES WITH EXCLUSIVE BONUS DISC OF COVER VERSIONS DONE MISERABLE RICH-STYLE!  TRACK LISTING: "GOLEN BROWN" (The Stranglers), "GIGANTIC" (The Pixies), "SHADES" (Iggy Pop), AND "SWEET DREAMS (ARE MADE OF THIS) (Eurythmics)!  GREAT!!!! Price:$16.00
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Brad Senne - "The Shapes That Shift Us"
When we first met Brad it was via his Beight project which we liked a whole bunch.  He's back with a solo effort that, while a bit more quiet, with its gorgeous, bare minimum accompaniment, perfectly fits our "Sunday Morning Pop" playlist with its Elliott Smith-like whispy-ness throughout!  "Sometimes, it seems like a piece (or style) of music can define the mood of a situation: the same set of curves, at the same speed, in the same car, can feel a lot different depending on whether you're playing.  Not to mention where the volume's set.  Sometimes, a well-timed piece of music can even rudder a situation - perhaps a fading party resurrected by a well-queued raucous piano rock song?  This is precisely not this kind of music - it's the converse.  It's a perfect fit for certain times when the mood is already set, and you're just looking for the right piece of music to go along with that mood.  It's acoustic, but sometimes it's driving.  It's folk, but sometimes it's symphonic.  It's happiness, but sometimes it's longing.  'Drift Gently' makes me think of curling up in a big comfortable chair, with a piping hot cup of tea and a perfect blanket. In the undertones of Senne's guitar, I can hear the corners of my lips curl up into a barely-perceptible smile as I raise my mug and the smell of jasmine steam washes over my face. If I owned a convertible, I think I'd want to listen to 'Dance Till Dawn' with the top down on a shoreline road somewhere.  And if a family vacation ever finds us renting a clapboard-sided beach house in a tiny ocean town somewhere, I hope there's a CD player so I can play 'Caroline to Maine'." - DaveRea.com  "A talented songwriter whose richly textured acoustic ballads might someday work their way into space alongside Elliott Smith’s early recordings”. - Splendid Magazine  EXCELLENT!!! Price:$13.00
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Nick Piunti - "Nick Piunti"
Let's get one thing straight from the start.  In case you haven't figured it out by now, we've become HUGE Nick Piunti fans here at KK!  How the heck did we miss this guy fo so long?  Somewhere back in the 70's, 12 years old and playing in his first rock band, Nick quickly realized the combination of electric guitars, crashing drums and screaming girls was about all anyone needed in this world.  Now an adult with two screaming girls of his own, his passion for creating three minute power pop classics, like the ones he's currently churning out for The Respectables, certainly shined through on his self titled release.  Recorded with veteran producer-engineer Pete Bankert and featuring the white hot guitar work of Joey Gaydos, his 2002 solo debut marries the pop sensibilities of his songs with a straight ahead rock and roll approach.  The strength of the songs on this is what distinguishes this from so many independent releases. While covering familiar ground, Nick's unique voice brings a new perspective to the world of guitar pop rock.  Just like the brilliant gems he's released with The Respectables, this one's chock full of Replacements-styled, crunchy guitar-filled ones!  GREAT!!!! Price:$11.00
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